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White Nights represents a continuation of Antony Anderson’s exploration of the act of deconstruction as creation. This series is comprised of stark digital photographs of collages. Magazine, advertisement and newspaper cutouts were assembled primarily end to end, as stained glass would be, to create abstract compositions that recontextualize our relationship to the media from which they are made. The work is repetitious, meditative and teeming with introspection and analysis. Ultimately these pieces explore color, surface and form, as much as they address power and perception: think less what we see, more how we see it.