Below is the Introduction for Few Are Chosen. I'd like to generate some money to help with expenses for my next book. So please consider purchasing the eBook version. My newest book, Never Seeing Nothing is available too. All the photos from Few Are Chosen may also be viewed in preview, or on my website: danwagnerphotography.com Kindly click on the Like Button above, and leave a comment. I really appreciate your help. Thank you.

INTRODUCTION

The story of the photographs in this book begins in 2010, when I stumbled upon a blog written by one of Richard Avedon's former assistants. I immediately wanted to experiment with the same camera the great Avedon used: a vintage Rolleiflex. (Watching Fred Astaire sport no less than three Rolleiflexes while playing Avedon in the movie Funny Face further sparked my desire to get one for myself.)

Shooting with a Rolleiflex is different from shooting with a 35mm camera. You cradle the camera in both hands, bending your head forward to look down at the image. When the moment is right, you trip the shutter. This can make you look downright comical to bystanders.

When I'm out shooting, people respond to the camera itself. Many recall their own fathers taking family photos with similar cameras, and feel nostalgic for an age of non-digital photography. The Rolleiflex itself has helped me meet and form bonds with many of the people pictured in this book. Without the kindness of these former strangers, many of my photos would not have been possible.

Of course, it's never just about the camera - or whether an image is captured on film, recorded digitally, or combines both technologies. It is always about the image in the photographer's head and how the photographer makes his inner vision visible to others. Few Are Chosen refers to the challenge of selecting the photos for this book.

My Rolleiflex is an extension of myself. This beautifully designed camera lets me get the images out of my head - and onto film. Although I enjoy shooting with many other fine cameras, I can't believe I had to wait 40 years before finding the camera that was meant for me.

Dan Wagner
New York
2012